b. 0-4
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composition: WN 55, Waltz in F minor
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In the majority of the sources, there are two slurs within bars 1-4: the first one spanning bars 1-2, the second - bars 3-4. The beginnings and endings of the slurs were written imprecisely. AR includes one slur spanning bars 1-4. In CY, the absence of the second slur, within bars 3-4, may be considered a copying inaccuracy. Due to the repetition of the c2 note at the beginning of the Waltz in AE (→CX) and CC, the first slur begins in the upbeat. A similar situation occurs in CY, however, due to the upbeat, we put the beginning of the slur in the 1st bar, contrary to the notation of the copy. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions |
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b. 1
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composition: WN 55, Waltz in F minor
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In the sources, one can encounter a few variants of the Waltz's beginning: category imprint: Graphic ambiguousness; Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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CC features a minim (without dot). In another commenced copy of the waltz, on the rear 2nd page of CC, there is also a minim. Therefore, the absence of dot in this source does not seem to result from an oversight of the copyist of CC, but from the fact of copying from a source in which the dot had been overlooked (another autograph or copy of autograph). The minim in the remaining sources is provided with a dot. category imprint: Differences between sources; Source & stylistic information |
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b. 1-23
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composition: WN 55, Waltz in F minor
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The first page of FC, to bar 23, has not been preserved to the present day. In the abbreviated markings of sources from Fontana's version we adopt: category imprint: Source & stylistic information issues: Incomplete sources |
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b. 1
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composition: WN 55, Waltz in F minor
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In AG, Chopin did not write the time signature; the remaining sources feature a 3/4 marking. category imprint: Differences between sources issues: Inaccuracies in A |